top of page

Assistant Professor of French
University of California, Berkeley

Current & Past Projects

Click on any of the images below to find out more about the project in question.

UC_BERKELEY_APRIL_2025_ 1776 (1)_edited.jpg

Publications and Presentations

Book

Anachrony and Assemblage: Reading Manuscript Culture in Medieval Soissons (forthcoming with Cornell University Press).

​

Edited Collection

(edited with Hannah Morcos, Maria Teresa Rachetta, Natasha Romanova and Simone Ventura) The Values of the Vernacular: Essays in Medieval Romance Languages and Literatures in Dialogue with Simon Gaunt (Rome: Viella, 2025). (link)

​

Journal Special Issue

(edited with Andrew James Johnston and Wolfram R. Keller) Touching Troy, Anglia 142.3 (2024). (link)

​

Peer-Reviewed Journal Articles

“Le toucher et l'expérience herméneutique : l'exemple du Roman de la Rose”, Littérales, 53 (2026) [forthcoming].

​

​(with Giulia Boitani) “A Hospitaller Book in Fifteenth-Century Florence: Notes on the Owners of Cologny, Bodmer 147”, Medioevo Romanzo, 48 (2024), 335–61. (link)

​

“Was Drouart la Vache, author of the Livre d’amour (1290), ‘le Roi de Soissons’?” Romania, 142 (2024), 365–82. (extract)

​

(with Andrew James Johnston and Wolfram R. Keller) “Introduction: Touching Troy,” Anglia 142.3 (2024), 419–27. (link)​​

​

“Defacing Troy: From Shakespeare's The Rape of Lucrece to Medieval Manuscripts,” Anglia, 142.3 (2024), 548–72. (link)

​

“Gautier de Coinci's Miracles de Nostre Dame and the Powers of Olfaction”, New Medieval Literatures, 24 (2024), 60–100. (link) Runner-up: Society for French Studies 2024 Malcolm Bowie Prize.

​

“Veiled Reading, Reading Veils: Textile Curtains and the Experiences of Medieval French Manuscripts, 1200–1325”, Digital Philology, 12.2 (2023), 155–94. (link)

​

“The Date, Author, and Context of the Roman de Silence: A Reassessment”, Medium Ævum, 91 (2022), 70–99.  (link)

​

“All Roads Lead to Rome: Revisiting the Pairing of the Histoire ancienne jusqu'à César and the Faits des Romains in the Thirteenth Century”, Romania, 139 (2021), 5–36. (link)

​

“The Untimely Subject: Reporting Discourse and Bearing Witness in Villehardouin's La Conquête de Constantinople and Yannick Haenel's Jan Karski”, Interfaces, 7 (2020), 9–36. [open-access, download here]

​

Book Chapters (Peer-Reviewed)

“Reading Touch in Two Manuscripts of the Roman de Troie (with Jean-Luc Nancy): Paris, Bibliothèque nationale de France, français 60 and Vatican City, Biblioteca Apostolica Vaticana, Reginensis Latinus 1505”, in ed. Emma Campbell and Luke Sunderland, The Horizons of Medieval French and Occitan: New Approaches to Manuscripts and Texts (Leiden: Brill, 2026), 266–89. (link)

​

“Assemblages and History in a Medieval French Manuscript from Corbie, ca. 1295:Copenhagen, Kongelige Biblioteket, GKS 487 fº”, in ed. Johannes Junge Ruhland, Making History with Manuscripts in Medieval and Early Modern Europe (Berlin: De Gruyter, 2025), 23–46. (link)​​​

Digital Editions

Interpretive edition of the Orient II section of the Histoire ancienne jusqu'à César in BnF fr. 20125 (link)

​

Interpretive edition of the Alexander section of the Histoire ancienne jusqu'à César in BnF fr. 20125 (link)

​

(with Hannah Morcos, Simon Gaunt, Simone Ventura and Maria Teresa Rachetta) Semi-diplomatic editions of BnF fr. 20125 and British Library, Royal 20 D I (link)

​

Collaboration on Digital Tools

“Alignment”, The Values of French (link)

​

“Search”, The Values of French (link)

​​

Conference Proceedings

“L'expérience The Values of French Language and Literature in the European Middle Ages”, in ed. Marta Materni, “Autour du Roman de Florimont. Approches multidisciplinaires à la complexité textuelle médiévale”, Quaderni di Francigena, 2 (2020), 151–163.

​

Reviews

Kathryn M. Rudy, Touching Parchment: How Medieval Users Rubbed, Handled, and Kissed Their Manuscripts, vol. 2: Social Encounters with the Book [Medium Ævum, 94.1, 2025, 236–37]

 

Kathryn M. Rudy, Touching Parchment: How Medieval Users Rubbed, Handled, and Kissed Their Manuscripts, vol. 1: Officials and Their Books [Medium Ævum, 93.1, 2024, 220]

​

Francesco Montorsi, Mémoire des anciens: traces littéraires de l'Antiquité aux XIIe et XIIIe siècles [Medium Ævum, 92.2, 2023, 395]

 

Anne Rochebouet, Réécrire l’histoire de Troie: la cinquième prose du ‘Roman de Troie’, compilation et création [French Studies, 77, 2023]

 

Maud Burnett McInerney, Translation and Temporality in Benoît de Sainte-Maure’s ‘Roman de Troie’  [French Studies, 76, 2022, 645]

​

Véronique Dominguez-Guillaume, Élisabeth Gaucher- Rémond (eds), Expériences critiques. Approche historiographique de quelques objets littéraires médiévaux [Le Moyen Âge, 125, 2020, 625–26]

​

Submitted

“Lectures affectives des Faits des Romains (XIIIe-XVe siècle)”​​

​

“The Monstrosity of Medieval French Alexander Books”

​

“Nancy, Exscription, and the First Troubadour”​​

​

“Touching Yvain: Traces of Affective Reading in Paris, BnF, Français 1433”

​

In Progress​

​​​​Touch and the Experiences of Medieval French Manuscripts (book on traces of tactile interaction in manuscripts of medieval French and Occitan texts)

Invited Lectures

2025: Department of French Lecture Series, Columbia University, Maison Française. ‘Haptics, Reading, and the Roman de la Rose’.

 

2025: Medieval Questions Seminar, University of Cambridge. ‘Why did readers touch images in manuscripts of the Romance of the Rose?’

 

2025: History of Art Department, University of Michigan. ‘Haptic Virtuality: Touching Illuminated Manuscripts of the Roman de la Rose and the Faits des Romains.'

 

2022: Cambridge Medieval Literature and Culture Seminar, University of Cambridge. ‘Gautier de Coinci's Miracles de Nostre Dame and the Powers of Olfaction.’

​

2022: Cambridge Medieval English Research Seminar, University of Cambridge. ‘Bookish Attachments: Reading the Touch of Medieval French and Occitan Romance’.

​

2021: St Andrews Institute of Medieval Studies Seminar, University of St Andrews. ‘Between Textual and Emotional Communities? Touch and Medieval French Literary Culture’.

​

2021: University of Oxford Medieval French Seminar, Maison Française d'Oxford. ‘Feeling Medieval French Literature: Touch, Experience, Materiality’.

​

Conference and Workshop Papers

2026: Roundtable, Princeton University, ‘Medieval Matters: Manuscript Culture and the Five Senses in the Middle Ages.’ ‘Flamenca and the Erotics of Book-Touching.’

 

2026: Roundtable, UC Berkeley, ‘Translation in Medieval Studies.’ ‘Translating Flamenca: Prospects and Challenges.’

​

2026: Workshop, UC Berkeley, ‘Violence in the Domestic Sphere: Premodern Images, Texts, Artifacts.’ ‘The Jealous Husband, or How Medieval Manuscripts Mediate Violence.’

​

2025: Workshop, University of Cambridge, ‘Sociology of Reading in Late Medieval Europe.’ ‘Bourdieu, Habitus, Manuscripts.’

 

2025: Medieval Academy of America Annual Meeting, Harvard University. ‘Touch and the Subject of the Roman de la Rose.’

​

2024: Berkeley Medieval Studies Symposium. ‘Touch and the Subject of the Roman de la Rose.’

​

2024: 27th Congress of the International Arthurian Society, Université d'Aix-Marseille. ‘Traces de lecture affective dans un manuscrit d'Yvain (BnF français 1433)’ (paper presented in French).

​

2024: Society for French Studies Annual Conference, University of Stirling. ‘What Their Fingers Knew: Mediating Touch in Three Medieval French Pocket Books.’

​

2024: Workshop, University of California, Berkeley, ‘Modeling Change’. ‘Scripta, hybridity, shelf-life: three manuscript-based approaches to historical change.’

 

2024: Medieval Academy of America Annual Meeting, University of Notre Dame. ‘Crises of Time, Compilation, and Medieval French Alexandre Manuscripts’. 

 

2023: International workshop, Freie Universität Berlin, ‘Imperial Fictions: the Cultural Entanglements and Multiple Temporalities of Alexander’s Afterlives’. ‘Alexander and the Surviving Image: The Politics of Repetition in Paris, BnF, fr. 24364 (Roman de toute chevalerie)’.

 

2023: International workshop, University of Bern and Monte Verità, Ascona, ‘The Senses: Present Issues, Past Perspectives’. ‘Touch, Animation, and the Virtual: The Interplay of Sensory and Aesthetic Experience in Medieval French Manuscripts.’

 

2023: International workshop, IEA Paris, ‘Lire et écrire l'Histoire dans l'Occident médiéval (1150–1500)’. ‘Lectures affectives des Faits des Romains (XIIIe-XVe siècles)’ (paper presented in French).

​

2023: International workshop, University of Oxford, ‘Cultures of Use and Reuse. Towards a Terminological and Methodological Framework of Reframing and Recycling’. ‘Studying Cultures of Touch and Use in the Illuminated Manuscripts of the Medieval French Biography of Julius Caesar (Faits des Romains)’.

​

2023: Conference, British Library (organised with Durham University), ‘Monsters of Alexander the Great's Legends in World Cultures’. ‘The Experience of Monstrosity in Medieval French Alexander Manuscripts, 1250–1350’.

​

2022: International workshop, Freie Universität Berlin, ‘Spectral Temporalities/Spectral Communities: Thinking Hauntologically about Premodern Literature and Culture’. ‘Pressures Past: Spectral Touch and the Premodern Book’.

 

2022: International workshop, Freie Universität Berlin, ‘Touching Troy: Mediation, Materiality, Intermediality’. ‘Touch and the Materiality of the Roman de Troie.’ 

 

2022: International Congress on Medieval Studies, Kalamazoo (online). ‘Assemblages of Time and Matter: Making History in French Manuscripts, ca 1300’.

​

2022: Workshop organised by Department of Anglo-Saxon, Norse and Celtic at the Uni. of Cambridge, ‘The Medieval Irish Lucan: Text and Context’. ‘The Old French Li Fet des Romains’.

​

2021: Workshop organised by Temporal Communities: Doing Literature in a Global Perspective, Freie Universität Berlin. ‘Touching Communities: Corpus and Communauté in Jean-Luc Nancy’ (with Simon Godart).

​

2021: Online Medieval French Seminar (hosted by Durham University). ‘Making Sense of the Roman de Troie (with Jean-Luc Nancy)’.

​

2021: Society for French Studies Annual Conference (online). ‘What makes an image intolerable? The affective frames of medieval manuscripts’.

​

2021: International Courtly Literature Society, British Branch Conference, University of Cambridge (online). ‘Benoît in the Veneto: The Roman de Troie of Vatican, BAV, Reg. Lat. 1505’.

​

2020: Dark Archives 20/20, online conference hosted by SSMLL/University of Oxford. ‘Beyond the Veil: Manuscript Curtains and the Reading Experience, Medieval and Modern’. Watch here.

​

2019: Workshop ‘Anonymity and Temporality’, Freie Universität Berlin. ‘The Untimely Speaker: Anonymity and Narrative Voice in BnF fr. 17177’.


2019: TVOF Seminar, London. ‘Le manuscrit anachronique: Les voix du passé dans le MS BnF fr. 17177’ (paper presented in French).


2019: International Courtly Literature Society, University of Exeter. ‘The “Histoire atelier” at Soissons and its network’.


2019: Society for French Studies, Royal Holloway University of London. ‘Audible Pasts: Sense and Sound in Medieval French Rhymed Chronicles’.


2019: International Congress on Medieval Studies, Kalamazoo. ‘The future perfect? Deconstruction, re-assembly and innovation in the manuscripts of the Histoire ancienne jusqu'à César’.


2019: Oxford Medieval Graduate Conference, Kellogg College. ‘“Tu ne sivis mie la voie dou commencement”: Deviant Politics and Deviant Textuality around the Figure of Pierre de la Broce’.


2018: International Conference, ‘Autour de Florimont. Textualité médiévale et textualité numérique’, Université Grenoble Alpes. ‘The Values of French Language and Literature in the European Middle Ages’ (paper presented in French).


2018: IMS-Paris International Symposium ‘Truth and Fiction’, Paris. ‘Discours rapporté et la “vérité” de l'histoire dans la Chronique du Pseudo-Turpin’ (paper presented in French). Awarded IMS-Paris PhD student prize.


2018: Graduate workshop ‘Foreign Knowledge: Medieval Attitudes towards the Unknown’, Ruhr-Universität Bochum, Germany. ‘Foreign languages and the Histoire ancienne jusqu'à César’.


2018: The Values of French International Workshop on the Histoire ancienne jusqu'à César, London. ‘La narration de l'histoire’ (roundtable in French with Michelle Szkilnik and Nicola Morato).

 
2018: Society for French Studies Postgraduate Conference, University College London. ‘L'Histoire se répète: Anachronistic speech in the Eneas of the Histoire ancienne jusqu'à César’. 

 

Conference Organization

2026: ‘Violence in the Domestic Sphere: Premodern Images, Texts, Artifacts’, workshop at UC Berkeley supported by the France-Berkeley Fund.

 

2022: ‘Spectral Temporalities/Spectral Communities: Thinking Hauntologically about Premodern Literature and Culture’, international workshop at Freie Universität Berlin.

​

2022: ‘Touching Troy: Mediation, Materiality, Intermediality’, international workshop at Freie Universität Berlin.

​

2019: London Postgraduate French Conference, ‘Bearing Witness (Témoignages’). [see the conference report in French Studies Bulletin]

​

2019: The Values of French conference at KCL and British Library, ‘Narrating History across Languages in Medieval Europe’.

​

2018: The Values of French international workshop on the Histoire ancienne jusqu'à César.

​

2018: The Values of French project seminars (triannual).

bottom of page